EXPECTATIONS: Something downright gonzo from maverick director Takashi Miike.
REVIEW: Takashi Miike, back in the V-cinema era, was a complete madman. Not in a human state, but in his creative state, the images and ideas he comes up with can only come from a man who is completely bonkers.
This is the man who directed a film which had to have barf bags in some of the cinema screenings. This is the man who filmed a TV episode for a horror anthology that had been banned for being too disturbing. This is the man who filmed the most amazing cockfight ever seen on screen. Okay, the last one is debatable but the point is, this is a man whose filmography cannot be seen without one thinking with befuddlement and interest.
With a man who has made so many gonzo works (including Fudoh: The Next Generation, Audition, Gozu, Ichi the Killer, Visitor Q etc.) Dead or Alive would rank somewhere near the middle in the gonzo scale. With V-cinema stalwarts Sho Aikawa and Riki Takeuchi as the leads in an old-school cop vs. criminal story, you know Miike has got something up his sleeve.
Dead or Alive starts off with the most energetic and craziest 10 minutes that few have rivaled to this day. Already, we see people getting blown to bits, a woman jumping to her death, corrupt cops snorting a LONG line of cocaine, sex scenes of a homosexual nature and more gonzo goodness.
That basically is the litmus level telling whether the film is right for you. But despite all of the bizarre flourishes, the story is surprisingly reserved, consisting of your typical cops and robbers conflict, with themes like loyalty, brotherhood and justice.
One of the best touches of the film is the bizarre sense of humour towards genre tropes. Films of this type usually glamourizes the criminals in favour of sympathy or empathy toward the characters. But in the case of Dead or Alive, criminals are portrayed as they are: scums of the earth.
There’s a stupefying scene where Aikawa’s character asks one of his informants for information, but as the scene plays out, the informant is getting ready for a bestiality shoot, including the actress and dog. And one other scene that is even more graphic, a mob boss is seen torturing a woman by forcing her to swim in a pool of her own feces. It is scenes like this (including the introduction and the ending) that makes the film a cult-classic pleasure.
But is there substance to back the film up? Surprisingly, there is ample evidence of it. The lead characters, Ryuuichi and Jojima, are given plenty of backstory; like how one is trying to save his terminally ill daughter while the other is trying to reconcile with his estranged brother. They both have clearly defined motives and are thankfully portrayed with enough sympathy and empathy by Sho Aikawa and Riki Takeuichi. They are both clearly aware of the film’s intentions and are clearly having fun with their archetypal roles, elevating them with both charisma and acting chops.
The supporting cast are all film with Miike collaborators like Ren Osugi, Renji Ishibashi and others are all great with their roles, as they both honour and turn their roles on its head with gusto.
In the case of flaws, there are many that need to be mentioned and considered. Firstly, the film’s pacing is quite haphazard, considering the frenetic nature of the introduction and conclusion. For some, the film’s second act is a slow crawl compared to all of its madness.
Secondly, the treatment of women in the film is quite disturbing and will definitely turn people off. It can be seen as a commentary towards Miike fans who enjoy his brand of bonkers gonzo violence or it can be seen as a commentary on misogyny. Either way, the message is clear: misogyny is an unspeakable and irredeemable evil. And lastly, the humour can be quite polarizing. For some, it can be seen as hilarious while others will see it as either silly and even offensive.
But if one were to describe Dead of Alive in singular words, it would be as it goes: Gonzo. Unforgettable. Crazy. Silly. Bizarre. And those words encapsulate what Dead or Alive is, in a nutshell. For those who are daring, this is the film that will blow you away, whether you’ll like it or not. I guarantee it.
Great leading performances
Fantastically bizarre sense of humour
Enough substance towards the characters
Humour will turn some people off
Treatment towards women
Cast: Riki Takeuchi, Sho Aikawa, Renji Ishibashi, Susume Terajima, Ren Osugi
Director: Takashi Miike
Screenwriters: Ichiro Ryu