EXPECTATIONS: An inferior remake to the energetic and unruly original.
REVIEW: Remakes are always a risky proposition nowadays. While some can be an improvement over the original source, some can be inferior and while some can be distinct that it can stand on its own, some can be unnecessary and can be seen as a cash-grab.
In the case of Memoirs of a Murderer (not to be confused with the 2003 South Korean film, Memories of Murder), it is a remake of the 2012 South Korean film, Confession of Murder, which was an unruly, sloppy yet energetic piece of work. Will the film replicate the pacing and tone shifts of the original or will it go its own way and stand out as a superior entry in the reputations of remakes?
Back in 1995, rookie detective Makimura (Hideaki Ito) was involved in a string of strangulations, which unfortunately led to nowhere, and now in present-day Tokyo, the statute of limitations on the crimes is expiring. It just so happens that the killer knows exactly where he stands in regards to the law, and the next day he plans an elaborate press conference exposing himself and announcing publication of his memoir.
It becomes an instant best-seller (if not only due to the controversial content) and the only murderer Masato Sonezaki (Tatsuya Fujiwara) revels in the spotlight. You can guess that the people related to the victims would not be so happy when they hear of the news and they take matters to their own hands. But there is more to the tale when a certain twist comes into the proceedings that eventually turn the tables.
Does the film stand out in its own way? Yes, but not in a good way. While the original had frenetic pacing and reveled in the ridiculousness of the plot, the remake takes it seriously and plays it straight. While that not may sound bad, but the direction by Yu Irie makes it very bland and to be frank, television-esque.
The cinematography, the production values, the editing etc; all blend together in to make a porridge-like package that does nothing to stand out, making the film tedious and inconsequential. Even though it is set in Japan, very little of the film is reflective of its setting. It is very unfortunate because the source material and the cast end up sinking along with it.
The cast are all fine in their roles and do what they can under Irie’s direction. Hideaki Ito does grizzled cop quite well and is a good compliment to the annoyingly slick Tatsuya Fujiwara. The latter surprises by not relying on his acting histrionics and provides a suitably menacing performance.
The supporting cast are all good in their roles, although the script does not help them much. Kaho, Ryo Iwamatsu, Koichi Iwaki, Misuru Hirata and Anna Ishibashi lend presence and that is basically it.
There is one major difference in the story when compared to the original and that relates to the twist which occurs in the middle and while the change could have been admirable, it is ruined entirely due to the casting. For those who know who the actor (or actress) is, the casting alone ruins the twist and makes it horn-honkingly obvious.
Overall, Memoirs of a Murderer is an inferior remake as well as a bland film that does nothing to stand out from the crowd and really should belong in television, rather than be a theatrical release. It is quite a shame since lead performances are quite good and the source material seen through Japanese lens could have led to a more compelling project.
Good performances from the leads
Bland productions values and direction
Cast: Hideaki Ito, Tatsuya Fujiwara, Toru Nakamura, Ryo Iwamatsu, Koichi Iwaki, Misuru Hirata, Anna Ishibashi, Kaho
Director: Yu Irie
Screenwriters: Kenya Hirata, Yu Irie, based on the 2012 film, Confession of Murder