EXPECTATIONS: A career-defining role for Kim Ok-bin. And also, kick-ass action scenes!
REVIEW: Kim Ok-bin is a South Korean actress that I have been following for a long time (not literally!) and I have always found her to be very talented in a variety of roles, like her dramatic film debut in the horror Voice, to her charming and adorable role in the sex comedy/musical Dasepo Naughty Girls and her comedic role in The Accidental Gangster and the Mistaken Courtesan.
But it was when she worked with Park Chan-wook for the dark comedy/vampire film Thirst that she started having an acting emergence. Nailing both dramatic parts, comedic parts and especially the femme fatale parts like a pro, she won many awards for her performance. Ever since then, her roles have gotten a bit smaller than expected, with small roles like The Front Line and Actresses; and she ended up in box office flops like 11 A.M.
Now, after eight years since her role in Thirst, she finally has a leading role in The Villainess, an action extravaganza from Jung Byung-gil, the director from the action/crime flick Confession of Murder. Gathering great buzz from Cannes, including garnering a 4-minute standing ovation, people have been highly anticipating this. Is the film worth the buzz?
The film starts off with a spectacular 10-minute action scene, entirely shot in POV, as the main character takes down like 40 people through hallways, staircases and even a personal gym, leading to the title card. So it is advised that audiences should not come late to the screenings, as this takes place straight away after the opening credits.
The film is about the story of a ruthless female assassin named Sook-hee (Kim Ok-bin), who from an early age (residing in China, with her father) has been taught to kill. She becomes a sleeper agent for South Korea’s intelligence agency after being caught, which they promise her freedom after 10 years of service. But it’s not all that easy when two men (Shin Ha-Kyun and Bang Sung-jun) from her past and present make an unexpected appearance in her life, bringing out her deep, dark secrets.
Let’s get to the good and bad already. The good? Kim Ok-bin herself. As seen in The Villainess, she has finally acquired a leading role that is worthy of her talents. Having capable martial arts training before tackling the role, she displays grace and capable physical prowess in her action scenes. Whether she is riding a motorcycle, scaling buildings, firing guns and throwing axes, she easily convinces as Sook-hee, the assassin.
As Sook-hee, the woman within, Kim nails the role with gusto. Lending depth and even a bit of insanity (like her character in Thirst) to her soulful, yet vengeful archetype of a character, she again shows why she made such a fuss back in 2009. If she doesn’t get better roles after this, then something seriously is wrong out there.
As for the supporting cast, they are all fine in the archetypal roles. Shin Ha-kyun (who plays an adversary to Kim Ok-bin for the third time since Thirst and The Front Line) is great as Joong-sang, as he conveys menace in a scary, yet understated manner. Bang Sung-jun is likable and brash as Hyun-soo, a love interest to Sook-hee who is more than he seems. But besting both of the men is Kim Seo-hyung. Playing a mentor character to Kim Ok-bin once again since Voice, she just nails the part of the ice cold personae, as Kwon-sook.
Now, let’s get to the action scenes. Overall, they are fantastic. Apart from the opening scene, there are scenes on motorbikes, buses, edges of buildings, restaurants and other settings, and they are all shot with so much energy and verve that it becomes almost surreal. There’s a scene where Sook-hee tries to escape from a training facility and the way the world uncovers (with smooth editing and long takes) is just so dream-like, it becomes almost enchanting. Some may find it disorienting due to the style utilized i.e. handheld camera shots, so those who suffer with motion sickness be warned.
Now let’s get to the bad. Or a better word, mixed. The story itself is nothing new; basically an amalgam of prior assassin films like La Femme Nikita and others, but the storytelling is refreshingly free from spoon-feeding and pandering towards the audience, unlike Hollywood blockbusters, which would have characters stand to point at something and explain the plot. But the plot is told with lots of flashbacks that it does tend to get convoluted at times. Thankfully, the story is told with three distinct acts that makes it clear enough for the audience to latch on to.
Also, the drama in the film tends to be quite cheesy at times. Although some of the cheesiness makes sense due to the events of the plot but when it becomes more sincere, some of the drama becomes so melodramatic, that it can be quite laughable. And another flaw (which may be laughable itself) is the level of violence. With the amount of weapons involved including guns, knives, hammers, axes, ropes, cars, hairpins etc; it is bloody, gory and uncompromising, which will both thrill and befuddle, so be warned.
Overall, The Villainess is a much-needed shot in the arm in terms of action films, female-led films, Kim Ok-bin and South Korean cinema. I hope that after this film, both Kim Ok-bin and director Jung Byung-gil will be appreciated for their efforts and move on to do more ambitious work.
Kim Ok-bin gives a fantastic performance
Good supporting cast
Spectacular action sequences
Storytelling is refreshing due to lack of spoonfeeding
The editing and camerawork create a surreal feel
Cheesiness in the storytelling
The story can be quite convoluted
Cast: Kim Ok-bin, Shin Ha-kyun. Bang Sung-jun, Kim Seo-hyun, Jung Hae-kyun
Director: Jung Byung-gil
Screenwriters: Jung Byung-gil, Jung Byung-sik