EXPECTATIONS: None whatsoever. Chose to watch it based on the poster.
REVIEW: Break-ups are incredibly hard. While some of them can be done like quickly taking off a band-aid, some of them take ages to get over. In those latter break-ups, not all of the are arduous, but are actually dealt nonchalantly as if the break-up never happened.
And that’s how the current film fits in. In a conventional film, break-up films are either usually about the break-up itself or how one rises from the ashes of said break-up. Love and Goodbye and Hawaii fits in the latter category and there have been great films in that category like the Korean non-rom-com Very Ordinary Couple and the surprise Chinese blockbuster Love Is Not Blind. Will the film be as good as those mentioned or will it be an entry that is easily forgotten like a used band-aid?
Aya Ayano stars as Rinko, an office worker who currently lives with Isamu (Kentaro Tamura), a graduate student, but the two are in a bit of an unusual dilemma: the two have actually broken up. Rinko still resides in the apartment that Isamu is currently paying for and ironically, the two get along much better than they ever did as a couple.
But Isamu has feelings for a young girl, Kasumi (Kato Aoi), whom also has feelings for him. But when Rinko is made aware of that fact, she too realizes that she still has feelings for Isamu, which causes quite a conundrum that affects the delicate equilibrium of their unorthodox relationship.
But rest assured: this film is not about a love triangle at all. It is about how one’s apathy towards a break-up until one realizes that they are going through a road of denial. And the film succeeds in conveying that dilemma very well. There’s a scene in the film that almost reminded me of a scene in the 2011 dramedy Frances Ha, where Rinko basically wants to take a vacation “from herself” despite her financial situation. But like Frances Ha, it doesn’t turn out the way it’s planned out to be and it ends up being depressingly funny, with all the long waits to connect with someone.
Speaking of funny, there is a nice touch of humour peppered throughout, and it is all based on character. Whether it is about characters being unable to articulate their feelings or how they want to avoid the “big issue” or how friends of the characters judge the situations of the couple, all of it is nicely done and never derails the storytelling.
Like the majority of Japanese cinema, films are dealt with subtlety it is because of that approach that Love and Goodbye and Hawaii succeeds. There are no scenes of dramatic contrivances, no scenes of histrionics and definitely no scenes of cloying music, which makes the dramatic components of the film surprisingly realistic and down-to-earth. And thankfully, the approach is held throughout, particularly in the ending, where it is both low-key and satisfying in its conclusions of its character arcs.
One of the film’s surprises is that we never truly know why the couple have broken up, but in this case, it makes perfect sense within the film’s scope, since the film never places judgment on any of the characters; which makes the audience active to judge for themselves.
And thankfully, the cast are up to the task. Kentaro Tamura is good as the indecisive Isamu, as he makes a nice impression as to why Rinko liked him as well as why there was tension between the couple. Momoka Ayukawa is hilarious as the sister of one of Rinko’s friends, who in a serendipitous way, becomes the voice of reason.
But the biggest standout is Aya Ayano as Rinko. Whether coming up with an analogy for her break-up or feasting on fast food to ease herself on her living situation or simply having hiccups while she becomes nervous, Ayano shines as the lovelorn woman in the odd situation.
With any relationship, they all have flaws and this film has some. But with the relationships that are long-lasting, it is the supposed flaws that people usually remember the most. Love and Goodbye and Hawaii usually drags a bit in its pacing and it can be a bit too understated for some to truly appreciate, but like Rinko herself, you will end up remembering this film endearingly, hiccups and all.
Good performances from the cast
Nice, understated storytelling
Refreshing changes in its approach to the relationship genre
May be too understated for some
Some slow spots
Cast: Aya Ayano, Kentaro Tamura, Momoka Ayukawa, Aoi Kato, Risa Kameda
Director: Shingo Matsumura
Screenwriters: Shingo Matsumura